7 Ways You're Ruining Your Press: Part 2

(A Blast from the Past article originally posted on 09/01/23)

You’ve read Starting Strength: Basic Barbell Training, you’ve watched the videos, and you are endeavoring to press correctly. Yet . . . you still have problems. Let’s fix them.

In Part 1 of this series, which went up last week, we covered several common press mistakes. In today’s Part 2, we wrap things up by addressing a few more errors as well as how to fix them.

Mistake #5: Ridiculous or Nonexistent Focal Point
When pressing, pick a spot on the wall directly in front of you (at about eye height) and stare at that point the entire time. Stare at it before your first rep, through and between each rep, and until you’ve racked the bar.

Don’t let your gaze wander, and certainly don’t press with your eyes closed, no matter how hard you’re struggling through a particular rep. Focal point contributes mightily toward balance, and the press is very balance-dependent.

Mistake #6: Awful Knees
Don’t let your knees bend when pressing. This is the press, not the push press, and if your knees bend, the lift doesn’t count. To fix this issue, flex your quads before starting the rep and keep them flexed during the entire rep. You can cue yourself to “pull your kneecaps up” or simply tell yourself to “keep your knees tight,” but don’t let your knees get loose when pressing.

Mistake #7: Comically Bad Hip Timing
Remember, the timing is “hips-then-press” - your hips reach forward and then slam back into place, i.e., it’s when you stand back up that you launch the bar upward. The mistake we’re talking about here happens to almost every new lifter when learning the press at some point, especially if you are teaching yourself how to do it.

Here’s what happens - you get a few solid reps, and then you simply get the timing wrong on the next rep. You accidentally reach forward with your hips and try to press the barbell upward at the same time. It feels awkward, and if you record yourself on camera and watch afterward, it makes you want to throw up mentally - just a bit - because something isn’t quite right.

The timing is the issue - you did “hips-and-press-at-the-same-time” when you meant to do “hips-then-press.” And, in fact, that’s exactly how you solve the problem, simply tell yourself “hips-THEN-press,” and you’ll do just fine.

As always, we hope these tips help you get stronger and live better.

-Phil

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What You Should NEVER Do When Pressing!

Is your bar path all sorts of terrible when you press? It's destroying your press. Starting Strength Coach Phil Meggers helps you fix it with 3 simple cues.

(A Blast from the Past video originally published on 03/27/23)

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7 Ways You're Ruining Your Press: Part 1

(A Blast from the Past article originally posted on 08/25/23)

Let’s cover several mistakes you might be making with your press, and then let’s fix them fast. We address a few issues this week in Part 1, and we’ll return next week and wrap things up with a few more errors in Part 2.

Mistake #1: Poor Stance
When you unrack the bar, don’t walk a mile back from the rack, and don’t take a narrow stance. Simply take two small steps back - right, then left - that’s it. Two half-steps, if you will - i.e., stay relatively close to the rack. When you do so, set up with a nice, wide stance. Your squat stance will serve as a good approximation of the stance you’re looking for, and you can even stand a bit wider than that, but don’t take a narrow stance.

Mistake #2: Atrocious Grip Width
Don’t take a wide grip. When pressing, the grip is fairly narrow - when taking your grip, simply reach out in front of you like you’re Frankenstein’s monster, and that will serve quite well for your grip width. Don’t use a grip width that looks even remotely as wide as your bench press grip.

For a lot of guys, this will place the grip right on the edge of the knurl, and for a lot of gals, this will place the index finger on the smooth part of the bar and the rest of the fingers on the knurl. These are very general approximations, so to check your grip width, remember that - when you’re setup and ready to press (i.e., at the bottom of the movement) - you want vertical forearms as seen from directly in front of you.

Mistake #3: Terrible Elbows
Don’t let your elbows be situated behind the barbell when you’re set up and ready to press. When unracking the bar, do so with your legs. Dip down far enough (with your legs) so that you can move your elbows into the correct position, which is slightly in front of the bar as viewed from the side. Every single rep should start with your elbows in this position. If the elbows are behind the bar, you will tend to press the bar forward, which makes for a miserable pressing experience.

Mistake #4: Hideous Wrists
Your wrists should not be bent back in extreme extension. Go ahead and make a tight fist - yes, right now . . .while you’re reading this . . . seriously. Notice the amount of wrist extension you see, i.e., notice how much - or rather how little - your wrists are bent backward. We’re looking for that position when pressing as well - about 10-15 degrees of wrist extension.

We want the base of the palm to support the bar so that the bar is situated directly over the bones of the forearm. On the other hand, if the wrists are bent back in extreme extension, the bar sits up near the pads at the base of your fingers with your wrists in a very floppy and inefficient position (see the video above).

Your wrists shouldn’t be totally straight (although we may sometimes use the overcue “straight wrists” when setting up), but they definitely shouldn’t be in extreme extension, so get your elbows in the correct position (see Mistake #3), and that permits you to achieve the correct wrist position as well. As the weight gets heavier, you’ll find that a decent pair of correctly worn wrist wraps will certainly help this positioning, but most of the solution is up to you.

We’ll see you next week in Part 2 of this series, and as always, we hope this helps you get stronger and live better.

-Phil

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Why Do So Many Lifters Press with Their Hips Wrong?

There are three mistakes that lifters often make with their hips when pressing, so let’s identify them and fix them quickly.

To see these three errors in action as well as how to solve them, check out the video below (as they say, a video is worth three billion words.)

Mistake #1: Winding Up
At the start of the press, you might be committing the error of reaching back - or “winding up” - with your hips.

Remember that at the start of the press, the first movement of the hips should be forward - never backward. Reaching back with your hips causes the barbell to go forward, and you don’t want any unnecessary horizontal movement of the bar when pressing.

To fix this, take a big breath and get tight as usual, then pause for a very brief moment in that upright position. Cue yourself “push the hips forward” and then do exactly that.

A final note on this error - if you’re making it, you probably aren’t aware of it, so be sure to video yourself the next time you press and check for this mistake.

(To see this error and its solution demonstrated, check out the short video below.)

Mistake #2: Reaching Back with Your Shoulders
When pressing, you push your hips forward, but you might be throwing your shoulders backward instead. If you are committing this error, your balance shifts to your heels and you don’t get a nice bounce or “throw” from the hip movement, and as a result, you have a weaker, less inefficient press.

Make no mistake, when you push your hips forward, your shoulders and head will automatically move backward slightly as part of a natural counterbalancing movement, and an advantage of this is that you clear space (by getting your head out of the way) for the bar to travel in the correct path. However, you should not try to throw your shoulders back as it will ruin the hip action (i.e., the bounce) in the press.

You’ll notice this error on camera, but you’ll also notice it by paying attention to your feet. If you feel your weight shift onto your heels as you start the press, you are incorrectly throwing your shoulders backward. If, on the other hand, you feel your weight shift briefly to the balls of your feet when you push your hips forward, you’re performing the lift correctly.

With this in mind, to correct this error, you can cue yourself to “get onto the balls of the feet” as you prepare to push the hips forward.

(To see this error and its solution demonstrated, check out the short video below.)

Mistake #3: Timing
If you press the barbell upward at the same time you push your hips forward, your timing is off, and you’re losing out on the bounce (i.e., the “throw”) provided by the hip action.

The bar should not go up when you push the hips forward - rather, the bar should momentarily dip downward when you reach with your hips. This is the beginning of the bounce created by the movement of the hips.

To correct this error, remind yourself to “make the bar dip” or that “the bar goes down” at the start of the press.

(To see this error and its solution demonstrated, check out the short video below.)

As always, we hope this helps you get stronger and live better.

-Phil

PS: Whenever you want even more Testify in your life, here are some free resources:

  • Book a free intro and strategy session with us HERE.

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The Press, Corrected. 7 Errors Most Lifters Never Notice

If your press feels inconsistent or harder than it should, this might be why. Starting Strength Coach Phil Meggers walks through 7 common errors and the simple corrections that make the lift stronger and more repeatable. Apply this in your next session.

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This Simple Tactic Fixed His Squat & Deadlift in One Rep

How can a cue actually help improve every lift?

Let’s dive in.

What Aspect of a Lift Does This Cue Help?
Today’s cue is useful at the beginning of the lift. It can be used over a broad range of lifts - from squats to deadlifts to bench presses to snatches - but it is specifically useful to address technical issues present at the start of the lift.

figure 1: becky demonstrates the error of breaking at the hips before before the knees at the start of the squat.

Here are a few examples of when today’s cue could be useful:

  • In the squat, you tend to break (i.e., bend) at the hips before the knees as you start your descent (Figure 1) instead of bending the hips and knees simultaneously.

  • In the deadlift, you try to yank or jerk the barbell off the floor (which causes all manner of problems).

  • In the bench press, you pop your shoulders and the bar slightly upward before starting each rep’s descent.

  • In the press, you “wind up your hips” and reach backward with your hips before pushing them forward at the start of the rep.

  • In the snatch, you have the same problem as in the deadlift, and you try to yank the bar off the floor (instead of accelerating it smoothly).

The Solution
The cue is simply “Smooth start.”

As with many solutions, this may seem a bit underwhelming, but the execution of it is both important and potentially profound in terms of its impact on your lifting, so let’s discuss how this applies to the errors above.

figure 2: becky correctly bends the hips and knees simultaneously as she starts her descent.

  • Squat: Cueing “smooth start” or even “slow start” allows you to focus on simultaneously bending both the knees and hips as you initiate the descent (Figure 2). Remember that this is a cue for the first few inches of the lift’s movement, and that’s where this simultaneous movement needs to happen in the squat.

  • Deadlift: You now are focused on pulling smoothly and not trying to yank the bar off the floor. This allows you to keep your back rigid and pull in a nice, vertical path.

  • Bench Press: The error of “popping” the shoulders up before starting the descent tends to be a quick movement, so cueing “smooth start” helps eliminate this bench press twitch.

  • Press: “Slow start” can again be a useful variation of the “smooth start” cue as both cues will tend to slow you down a bit at the start, and this allows you to focus on only pushing the hips forward (and thus not allowing them to move back).

  • Snatch: As with the deadlift, cueing “smooth start” encourages you to gradually accelerate the bar at the start of the pull instead of jerking the bar off the floor. The “slow start” variation of today’s cue can work when learning how to snatch and clean, but this cue usually needs to be abandoned as the weights get heavier, whereas “smooth start” remains useful at all weights.

Be sure to watch the included video (click here or scroll up) to see this cue in action, and as always, we hope this helps you get stronger and live better.

-Phil

PS: Whenever you want even more Testify in your life, here are some free resources:

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