STOP Making This Deadlift Mistake With Your Legs!

Are you “kicking” the bar away from you with your shins when you deadlift? It’s killing your pulls, so knock it off. Let’s fix it real quick-like.

There are a number of reasons a deadlift can swing away from you, and we’re going to discuss one of them today: the error of accidentally pushing the bar away from you with your shins (i.e., “kicking” the bar with your shins) during the setup process. Two versions of this error are quite common, so let’s address them both, and this is explained and demonstrated in the included video as well.

Version #1: Bringing Your Shins to the Bar Too Aggressively
This error occurs during step 3 of the 5-step deadlift setup process. You can watch the included How to Start Lifting: Learn to Deadlift video for a more in-depth treatment of this setup process, but the quick version is as follows:

Step 1: Stance - narrow with shins 1” from the bar

Step 2: Bend at the hips to take your grip

Step 3: Bend your knees to touch your shins to the bar

Step 4: Squeeze your chest up to set your back

Step 5: Pull - drag the bar up your legs

If you bring your shins aggressively and quickly to the bar during step 3, you may inadvertently kick the bar away from you (i.e., it will roll forward a bit).

To solve this problem, simply use the cue “shins to the bar softly” or “shins lightly to the bar.” The idea is to bend your knees just enough to bring your shins in contact with the bar - and no more than that. Next, squeeze your chest up (step 4), and then pull (step 5).

Version #2: Dropping Your Hips When You Set Your Back
This error occurs during step 4 of the setup process - the “squeeze your chest up to set your back” step. If you set your back aggressively (and by the way, good for you if you do!), you might accidentally drop your hips, which causes your shins to move further forward, which causes the bar to get pushed forward.

It’s worth noting that this can be fixed after the fact; you simply raise your hips back up a bit and roll the bar back to its original location, but we’ve now added more variables and steps to our setup process, and it’s better not to make this mistake in the first place. What to do?

When squeezing your chest up to set your back in rigid extension, use the cue “chest up AND hips up.” Of course, you’re not actually trying to raise your hips - you’re just using the “hips up” part of the cue to make sure the hips stay in place and don’t move downward. We use this cue quite regularly, and it has worked wonders for a number of lifters.

As always, we hope this helps you get stronger and live better.

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Antonio and the Deadlift

(A Blast from the Past article originally posted on 12/02/18)

Do you know about the Italian physician and anatomist Antonio Maria Valsalva (1666 - 1723)? Probably not, and that’s O.K., but every time you lift, you perform a maneuver - the Valsalva maneuver - that is named after him. To Valsalva is to hold your breath against a closed glottis, or perhaps more simply, to take a big breath and “bear down.”

You Valsalva instinctively when you are trying to push a stalled or stuck car, you Valsalva when you’re constipated and trying to poop, and fighter pilots Valsalva as part of their Anti-G Straining Maneuvers (AGSMs), which are performed to avoid passing out when subjected to high G-forces in the cockpit.

Now, let’s chat about the Valsalva maneuver and the deadlift.

You’ve been coached on the setup for the deadlift, so you’ve got the 5 steps down pat:

  • Stance - take a relatively narrow stance with your shins about 1” from the bar.

  • Grip - take a narrow grip on the bar (DO NOT MOVE THE BAR).

  • Shins - bend your knees to bring your shins into contact with the bar (DO NOT MOVE THE BAR).

  • Chest - squeeze your chest up to set your back in rigid extension (DO NOT MOVE THE BAR).

  • Pull - drag the bar up your legs.

jill correctly holds her valsalva at the top of her deadlift.

Most people will Valsalva right before (or during the process of) squeezing the chest up. Excellent. They will usually hold that Valsalva all the way up to the top of the lift - the lockout. Excellent again.

And right here - right at the top - this is where we tend to see a hiccup in the process. Some lifters (especially newer lifters) have a tendency to release their Valsalva at the top of the deadlift, i.e., they blow out their breath at the top. If you are one of these lifters - if you tend to release your breath at this point of the deadlift - there is only one thing to do.

Stop. That. Now.

james (left) and Loren (right) both know how important breath is when it comes to stability.

The Valsalva, the holding of your breath against a closed glottis and with tightly contracted abs - provides stability to the lift. Put simply, breath is stability, and stability is a wonderful thing to have when pulling heavy weights off the floor and setting them back down again.

So, if you tend to release your breath at the top of your deadlift, work on fixing it. Specifically, start by focusing on keeping your Valsalva while warming up the deadlift. The weight is lighter at this point, so you can spare some extra mental energy for this endeavor. Breath only when the bar is on the floor - not while loaded.

And be sure to thank Antonio the next time you complete a successful set of deadlifts.

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Why You Must NOT Use Your Shoulders in the Deadlift

Phil covers two mistakes lifters commonly make with their shoulders when deadlifting.


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Taping Your Thumbs for the Hook Grip

In less than 3 minutes, Phil shows you 2 easy ways to tape your thumbs for the hook grip, whether you're snatching, cleaning, or deadlifting. Milo tries to help, too.

(This is a Blast from the Past video originally published on 03/19/22.)


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Use This Grip for a BIGGER Deadlift! (Tension Grip)

What is a tension grip, and why should you use it for pulling movements like the deadlift, row, and clean? This is the second article in our short series on the correct grip for each lift. In the first article, we discussed the compression grip, which is useful for pressing movements such as the bench press, press, close grip bench press, etc., and you can read that article by clicking here.

Today’s Topic: Pulling Movements
The grip we are covering today is the type of grip you would take for pulling movements such as the deadlift, the row, the clean, etc. This grip is commonly referred to as a tension grip (watch the included video for a demonstration).

Whether you execute a pulling lift (e.g., deadlift) or a pressing movement (e.g., bench press), the same principle is true - gravity wants the bar to go down, so your grip should put the bar in the lowest stable position possible. In this way, the bar cannot accidentally reach a lower position than that which it’s already occupying.

What NOT To Do
In a pressing movement - as discussed in the compression grip article - you place the bar at the base of the palm. However, since the hand will be pointing downward in a pulling movement, putting the base of the palm against the bar puts the bar in an unstable position. The compression grip is very strong for pushing and pretty terrible for pulling.

Figure 1: compression grip (shown in reverse for viewing purposes): good for pushing - terrible for pulling

Placing the base of the palm against the bar - this will look like you’re pushing down on the bar (Figure 1) - compromises the grip, and this will show up in several ways. First, if you can even break the bar off the floor, it may result in a soft lockout at the top of the lift (e.g., knees that are still bent) or the complete inability to finish the lift at all. Second, when your grip is compromised, everything else starts to compensate - your back starts to round, the weight feels heavier, and it will actually be harder to pull the bar off the floor.

Figure 2: tension grip (shown in reverse for viewing purposes): good for pulling

The Answer
Take a grip that permits the bar to sit a little lower in the hand - down by the fingers a bit more (Figure 2).

(As a side note, don’t take a monkey grip - you shouldn’t have a visible air gap between your hands and the bar.)

Put simply, it should look like you’re pulling up on the bar and not pushing down on the bar. Note the differences between a compression grip (bad for pulling) and a tension grip (good for pulling) in the photos below.

Whether you use a double overhand grip, a hook grip, or an alternate grip, make sure the bar is carried down by the fingers and not positioned up by the base of the palm. When in doubt, put some upward tension on the bar, and voilà - your wrists will straighten out, and the bar will be positioned correctly.

As always, we hope these tips help you get stronger and live better.

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Deadlift Fix: 4 Cues for a Stronger, Smoother Pull

(A Blast from the Past article originally posted on 11/12/21)

Attempting to jerk or yank the bar off the floor when starting the deadlift is a common problem for new lifters.

Don’t do this.

You might be able to get away with it when the weight is light, but you won’t be able to get away with it when the weight gets heavy, and by that time, you’ll have accidentally ingrained a very counterproductive habit.

In the 5-step setup for the deadlift - stance, grip, shins, chest, pull/drag - this is typically a problem with step 4: squeezing your chest up to set your back in extension. When you lift your chest to set your back, you must start applying tension to the bar – you must start pulling on the bar even though you're not lifting it off the floor just yet. Treat the bar as an anchor against which you start to pull to help you set your back. 

Here are 4 cues that you can use to help with this process:

Cue #1: Bend the bar.
When you start applying tension to the bar - when you squeeze your chest up to set your back in extension - picture yourself bending the bar upward in the middle (i.e., make the bar look like a mountain, not a valley). Will it actually bend? That depends on how much weight is on the bar, but you visualize yourself bending it nonetheless.

Cue #2: Bend it before you break it.
Bend the bar before you break it off the floor. Very similar to the first cue, but it reminds you to put a lot of tension on the bar before you decide to break it off the floor.

Plus, it's catchy - this is the “try it before you buy it” cue of the deadlift world.

Figure 1A: Note the dark gap or “slop” between the top of the shaft and the collar.

Cue #3: Pull the slack out of the bar.
Barbells have some slop in them. Take a close look at your barbell and note that there’s a little gap between the shaft of the bar and the collar of the bar (Figure 1A). Set your back hard enough - pull hard enough with long, straight arms - that this slop nearly or completely disappears (Figure 1B).

Figure 1B: Note that the gap has almost disappeared.

Plates (even competition plates to a small degree) also have some slop between themselves and the bar - this is what allows you to slide them on and off. When you walk up to your deadlift, the bar is resting on the plates. When you squeeze your chest up and start to apply tension, pull up hard enough that the plates start to rest or hang on the bar instead.

Cue #4: Pull the click out of the bar.
Same idea as the previous cue, but this emphasizes that you should hear it when you apply tension and pull the slack out of the bar. 

Once you’ve applied a significant amount of tension to the bar using one of these cues - and you’ll find one that works best for you - then you squeeze the bar smoothly off the floor.

Remember, breaking the deadlift off the floor isn’t digital - it’s not a switch that you flip from off to on. It’s analog - it’s a dial that you keep turning up and turning up - pulling harder and harder - until the bar starts moving. This is a skill - not a particularly complicated one, but a skill nonetheless - and it’s one that you need to - and can - develop.

We hope these cues help you get stronger and live better!

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